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From 2007-9, I worked exclusively with titanium and zinc white oil paint. 

By eliminating color, the idea was to better understand paint, application, and support. 

With the introduction of black, the grayscale begins. 

Marks are positive, fluid, the body is more engaged in the painting.

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_{above: studio installation 2010}

_{above: Ivory Black Grayscale No 1.2, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.14, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.19, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.18, oil on linen 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.27 oil on linen 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.30, oil on canvas 20 x 20 inches 2010}

Grayscale No 1, oil _{above: Ivory Black Grayscale No 1, oil on canvas 48 x 48 inches 2010}on canvas 48 x 48" 2010

Grayscale No 2, oil o _{above: Ivory Black Grayscale No 2, oil on canvas 48 x 48 inches 2010}n canvas 48 x 48" 2010

 _{above: Ivory Black Grayscale No 3, oil on canvas 48 x 48 inches 2010}

_{above: Ivory Black Grayscale No 1.6, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.13, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.24, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.31, oil on canvas 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.10, oil on burlap 20 x 20 inches 2010}

_{above: Ivory Black Grayscale No 1.11, oil on burlap 20 x 20 inches 2010}

Grayscale No 3, oil on _{above: Ivory Black Grayscale No 1.29, oil on canvas 20 x 20 inches 2010}canvas 48 x 48" 2010

Grayscale No 3, oil on _{above: Ivory Black Concentric Grayscale No 1, oil on canvas 36 x 36 inches 2010}canvas 48 x 48" 2010

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Concentric Grayscale No 1, oil on canvas 36 x 36" 2009. Private collection NYC

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